You can download all of the PDFs as a package, here: All_PDFs.zip

Alternatively, you can download the individual files from the table below. These correspond to the odd-numbered MP3s, and and contain the transcriptions (with tablature) of the example solos. You can download MP3s, both with and without the background tracks, here: MP3s

Example_1.pdf	This is as basic as you can get: Just a major scale (Ionian) improvisation over a steady C-Major chord.
Example_2.pdf	Demonstrates the Aeolian mode (Natural Minor) by playing the same C-Major scale over a Am6 chord.
Example_3.pdf	Here we use a C-Major scale over a major progression containing only scale-tone chords.
Example_4.pdf	Here again we use the same scale again, but this time over an Am progression.
Example_5.pdf	Using the A-minor pentatonic over a 12-bar blues progression in A.
Example_6.pdf	Using the A-Major pentatonic over a 12-bar blues progression in A.
Example_7.pdf	Demonstrates the D-Dorian mode over a Dm7 chord.
Example_8.pdf	Demonstrates the E-Phrygian over an Em7 chord
Example_9.pdf	Another example of using the 'C-Major' scale over an all minor-chord progression.
Example_10.pdf	Demonstrates the F-Lydian mode over an FMaj9(#11) chord.
Example_11.pdf	Demonstrates the G-Mixolydian mode over a G7 chord.
Example_12.pdf	Demonstrates the B-Locrian mode over a Bm7(b5) chord.  (This is really interesting -- it's the first time I've ever managed to make the Locrian sound remotely like music).
Example_13.pdf	Six bars each of the A Blues Scale, the A Aeolian, the A Dorian, the A Phrygian, the A Dorian b2, and the A Dorian #4 over an Am7 chord.
Example_14.pdf	Six bars each of the A Major Pentatonic, A Ionian, A Lydian, A Kumoi mode 3, A Lydian #2, and A Hirojoshi, mode 6 scales, over an AMaj7 chord.
Example_15.pdf	Six bars each of the A Mixolydian, A Pelog mode 3, A Lydian Dominant, A Ahava Raba, A Hungarian minor, and A Lydian minor scales over an A7 chord.
Example_16.pdf	Six bars each of the A Blues Modified, A Hungarian Gypsy, A Kumoi (Dorian pentatonic), A Ritusen, and A Phrygian Major over a 12-bar blues progression in A.
Example_17.pdf	Playing over changes in a 12-bar blues.  We play the A Mixolydian over the A7, the D Mixolydian over the D7, and the E Mixolydian over the E7 chords.
Example_18.pdf	Another example of playing over changes.  Here we play a C Ionian over a CMaj7, a G Mixolydian (same scale) over a G7, and then switch to an F Ionian over an FMaj7.
Example_19.pdf	Example using the A Harmonic Minor scale over a progression of scale-tone chords.
Example_20.pdf	Example using the A Neapolitan Major Scale over a progression of scale-tone chords.
Example_21.pdf	Example using the A Ahava Raba Scale over a progression of scale-tone chords.
Example_22.pdf	Example using the A Dorian b5 Scale over a progression of scale-tone chords
Example_23.pdf	Example using the A Byzantine Scale over a progression of scale-tone chords
Example_24.pdf	Example using the A Enigmatic Minor Scale over a progression of scale-tone chords